I started trying to map my knowledge about Connectivism in Figure 1. Those of you in CCK11 will immediately recognize a heavy debt to Stephen Downes' illustration about the meaning of Paris.
|Figure 1: My Concept of Connectivism|
It is easy for me to see in this image how just my understanding alone at this level is a complex activity: understanding is the emergence of an idea from the interplay of various patterns of meaning to create a new pattern which takes on intelligibility and a stable core even as it continues to develop and grow in meaning from the center out and even shifts its center from time to time as drastic new patterns occur. In other words, as I keep listening and talking, reading and writing, drawing and thinking, the six-sided star of my understanding of Connectivism defines itself from the core outward, gains its own identity and presence, and begins to interact with the other patterned elements in its field, affecting and being affected, or to use the term of Morin: retro-interactions.
|Figure 2: Our Understandings of Connectivism|
Complex, yes, but really only just the beginning. If I add the concepts of others—for instance, those of you in CCK11, represented by U1 and U2—then you can see how each of your understandings of Connectivism (represented by the four- and five-pointed stars) starts to interact with my own understanding, and the image becomes even more complex.
What immediately impresses me is that none of us can have exactly the same knowledge of Connectivism. We all come at the concept from different angles and with different concepts, different neural pathways, different understandings of teaching and learning, different emotional fields, different connections to others and to other resources. This seems so obvious as almost to be not worth saying, yet our educational system is predicated on all students learning the same things, at the same time, through the same lessons, and monitored by the same tests. This assumption of standardization is simply wrong. Consider U2's understanding of Connectivism in Figure 3.
|Figure 3: U2's Understanding of Connectivism|
It looks nothing like my own understanding. Indeed, there is only an overlap where U2 and I share somewhat similar patterns and some common resources, but both U2 and I have lots of patterns, people, and resources that contribute to our understandings that don't directly contribute to each other. U2 and I cannot possibly have the same understanding.
How can we communicate, then? Well, as near as I can see, communication lies on the borders between the miraculous and the impossible, and the best that U2 and I can manage is a functionally similar understanding. We cannot share an exact understanding. There is no chunk of knowledge that we can both swallow mentally and then say, "Yup, you've got it! Exactly!" The best we can do is to continue in dialogue (in all its various manifestations) until we both create functionally similar patterns of knowledge that allow us to say, "Yeah, that's pretty much what I mean."
Then as if this wasn't complex enough, I'm reminded what Sporns says about the various layers of networks: "Networks span multiple spatial scales, from the microscale of individual cells and synapses to the macroscale of cognitive systems and embodied organisms. … In multiscale systems, levels do not operate in isolation—instead, patterns at each level critically depend on processes unfolding on both lower and higher levels" (2). Thus, within my own mind, a similar complex network of patterns is churning and emerging, and this level affects the churning and emergence of knowledge at the wider level of the MOOC, and in turn, the MOOC level is affected by the wider discussions of education, chaos, complexity, and so forth. These wider discussion are themselves part of a larger ecosystem of discussion about society, politics, and economics, which are themselves elements within language and thought throughout the Ages. And on, and on. Worlds within worlds, patterns within patterns, all self-similar at each scale. All dynamic within their own scales and adding to the dynamism of all the enclosed and enclosing scales.
Finally, if I really wanted to capture a sense of this complexity, then I would have made a movie that captured all these patterns at all the various levels growing, fading, clarifying, and fragmenting as they interacted with elements in their own scale and with the other scales. I don't know if I have the technical talent to create that movie, but I definitely don't have the time just now. Maybe later. It'll be impressive, I think.